commit 84bc0ed20e080ca6a6b857dc258d4e9a374fd451
parent 9e861c4ba75ac807f5e17da4ceb6966e0926a31a
Author: ugrnm <ultrageranium@bleu255.com>
Date: Fri, 9 Dec 2022 13:41:34 +0100
refactoring
Diffstat:
1 file changed, 4 insertions(+), 8 deletions(-)
diff --git a/index.html b/index.html
@@ -549,8 +549,6 @@ class: inverted, middle, center
???
- when Jamaican studios started to experiment in the 70s with obsolete and abandonned US audio equipment like spring reverbs, they were not nostalgic about 60s surf music, instead it became a core component of new musical genre: dub music.
- pmc sees computational devices like as many different instruments waiting to be turned upside down and rediscovered
-- pmc sees the end of a computer product lifecycle as a moment of celebration, a moment where its socioeconomic context can be reclaimed as opposed to be put behind a glass and condemned to run the same old code forever
-- so if pmc is nostalgic then it relates more to reflective nostalgia
- but most importantly it belongs to a wider range of post-digital aesthetics
---
@@ -558,12 +556,10 @@ class: inverted, middle, center
# BEYOND POSTURES OF NOVELTY
???
-- the 90s idea of "digitality" (as advocated by nicholas negroponte etc) is exemplary of all the problems presented so far (maximalism, virtualism, narrow cultural basis, neophilia)
-- post-digital aesthetics however bring to light the end of such new media cult
-- more specifically the combinatorial and generatively conflictual potential of combining new + old media POV
-- pmc aesthetics thefore defies the "nostalgia explanation"
-- USEFUL REF FOR PAPER: Florian Cramer has some examples of e.g. young artists that like media older than themselves
-- pmc tries to exist outside of hype cycles and favour an ongoing practice itself moving in an ever changing landscape of new and old media and tech
+- the 90s meme of "digitality" is exemplary of all the problems presented so far (maximalism, virtualism, narrow cultural basis, neophilia)
+- however the more recent concept of post-digital aesthetics brings to light the end of such new media cult
+- more specifically in its articulation of the potential to combine new + old media POV
+- as a result permacomputing tries to exist outside of hype cycles and favour an ongoing practice itself moving in an ever changing landscape of new and old media and tech
---
class: inverted, middle, center
