pmc-aesthetics-pres

presentation files about permacomputing aesthetics
git clone https://git.bleu255.com/repos/pmc-aesthetics-pres.git
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commit 2ddc45c63301da73ed497f51dcf9c8c7fab7d112
parent 2d51919df3891a5bf153c294956f86c52f23d56e
Author: ugrnm <ultrageranium@bleu255.com>
Date:   Fri,  9 Dec 2022 12:55:58 +0100

refactoring

Diffstat:
Mindex.html | 39+++++++++++++++++----------------------
1 file changed, 17 insertions(+), 22 deletions(-)

diff --git a/index.html b/index.html @@ -71,23 +71,19 @@ class: bottom, middle .left[Iterations 2022<br /><br />Aymeric Mansoux - @320x200@post.lurk.org<br />Brendan Howell - @praxeology@post.lurk.org<br />Dušan Barok - @sandu@post.lurk.org<br />Ville-Matias Heikkilä - @viznut@venera.social] ---- -class: inverted, middle, center -# INTRODUCTION - ??? -Quick words about this being work in progress +Introduce ourselves ++ Quick words about this being work in progress --- class: inverted, middle, center -# WTF is PMC? +# PERMACOMPUTING? ??? -- pmc in brief -- make the link with permaculture briefly (note: see how ugrnm phrased it in the wiki to defuse extractivist argument and avoid turning the paper into a why-permaculture paper) -- something we hope to be transformative -- something that offers a perspective at the intersection of computers and aesthetics -- briefly discuss the unsustainability of today's computing +- permacomputing is a relatively new concept and community of practice inspired by permaculture +- permaculture is essentially an approach to land management and construction of human communities that adopts natural ecosystems +- by making a connection between computer tech and permaculture, what we are truly asking is whether or not there can be a place for computer and network technology in a world where humans contribute to the well-being of the biosphere rather than destroy it? And if yes, how? +- at the moment permacomputing is both a set of design principles and a way to make cultural works in a more sustainable way --- class: inverted, middle, center @@ -95,30 +91,29 @@ class: inverted, middle, center ??? - why talk about aesthetics in this context -- define aesthetics for this article's purposes (especially what our scope is) -- because this is about looking at things -- relates to the position of immanent critique -- we are implicated in the objects we criticize... by using technology +- well we thought that given the context of this presentation at en event related to creative coding it would be a good opportunity to talk about aesthetics +- but also from the pov of how we look at things +- and how to deal with the fact that we are implicated in the objects we criticize --- class: inverted, middle, center # THE GOAL ??? -(SAY THIS WITH A SPLIT-CONTRAST IMAGE FROM SOMETHING...) -- pmc proposal: to apply an aesthetic as a way to manifest political ideas and turn platonic concepts into reality - reifing etc. -- pmc aims therefore to be a materialisation of real, recognizable, useful form of degrowth and other concepts orthogonal to capitalistic growth and market organization. +- ultimately we would like permacomputing to be a materialisation of real, recognizable, useful form of degrowth and other concepts orthogonal to capitalistic growth and market organization. - a countervoice to digital aesthetics that promote maximisation -- for instance high bandwidth, high-res, more computational power at any cost, for anything +- high bandwidth, high-res, more computational power at any cost, for anything --- class: inverted, middle, center # CAVEATS AND SCOPE ![fiveguys](fiveguys.png) + ??? -- situate ourselves - accept and acknowledge that our perspective is partial (Haraway) -- both bothered and aware of the narrow cultural basis of those who get to define the aesthetics ("white western affluent male") -- we can't escape this reflect on the privileged and biased perspective of 'white western heterosexual male', i.e. persona usually associated with concepts like 'computer aesthetics' +- of course our perspective is partial and biased +- both bothered and aware of the narrow cultural basis of those who get to define the aesthetics +- and the perspective of the 'white western heterosexual male' +- we will loop back to this later --- class: inverted, middle, center