pmc-aesthetics-pres

presentation files about permacomputing aesthetics
git clone http://git.permacomputing.net/repos/pmc-aesthetics-pres.git # read-only access
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pmc_aesthetics.tex (4120B)

      1 \documentclass[sigconf,9pt]{acmart}
      2 
      3 \AtBeginDocument{%
      4   \providecommand\BibTeX{{%
      5     \normalfont B\kern-0.5em{\scshape i\kern-0.25em b}\kern-0.8em\TeX}}}
      6 
      7 \setcopyright{rightsretained}
      8 \copyrightyear{2023}
      9 \acmYear{2023}
     10 \acmDOI{}
     11 \acmConference[LIMITS '23]{Ninth Workshop on Computing within Limits}{June 14--15, 2023}{}
     12 \acmBooktitle{LIMITS '23: Workshop on Computing within Limits, June 14--15, 2023}
     13 \acmISBN{}
     14 
     15 \settopmatter{printacmref=true}
     16 
     17 \begin{document}
     18 
     19 \title[Permacomputing Aesthetics]{Permacomputing Aesthetics: Potential and Limits of Constraints in Computational Art, Design and Culture}
     20 
     21 
     22 \author{Aymeric Mansoux}
     23 \email{a.l.mansoux@hr.nl}
     24 \affiliation{%
     25   \institution{Willem de Kooning Academy}
     26   \city{Rotterdam}
     27   \country{Netherlands}
     28 }
     29 
     30 \author{Brendan Howell}
     31 \email{brendan@howell-ersatz.com}
     32 \affiliation{
     33   \institution{The Howell-Ersatz Co.}
     34   \city{Berlin}
     35   \country{Germany}
     36 }
     37 
     38 \author{Dušan Barok}
     39 \email{db@societyofalgorithm.org}
     40 \affiliation{
     41   \institution{Multiplace}
     42   \city{Bratislava}
     43   \country{Slovakia}
     44 }
     45 
     46 \author{Ville-Matias Heikkilä}
     47 \email{viznut@low.fi}
     48 \affiliation{
     49   \institution{low.fi}
     50   \city{Turku}
     51   \country{Finland}
     52 }
     53 
     54 \begin{CCSXML}
     55 <ccs2012>
     56 <concept>
     57 <concept_id>10010405.10010469.10010474</concept_id>
     58 <concept_desc>Applied computing~Media arts</concept_desc>
     59 <concept_significance>500</concept_significance>
     60 </concept>
     61 <concept>
     62 <concept_id>10010405.10010476.10011187</concept_id>
     63 <concept_desc>Applied computing~Personal computers and PC applications</concept_desc>
     64 <concept_significance>300</concept_significance>
     65 </concept>
     66 <concept>
     67 <concept_id>10002944.10011122.10003459</concept_id>
     68 <concept_desc>General and reference~Computing standards, RFCs and guidelines</concept_desc>
     69 <concept_significance>300</concept_significance>
     70 </concept>
     71 <concept>
     72 <concept_id>10010583.10010662.10010673</concept_id>
     73 <concept_desc>Hardware~Impact on the environment</concept_desc>
     74 <concept_significance>500</concept_significance>
     75 </concept>
     76 <concept>
     77 <concept_id>10011007.10011074.10011075.10011077</concept_id>
     78 <concept_desc>Software and its engineering~Software design engineering</concept_desc>
     79 <concept_significance>300</concept_significance>
     80 </concept>
     81 </ccs2012>
     82 \end{CCSXML}
     83 
     84 \ccsdesc[500]{Applied computing~Media arts}
     85 \ccsdesc[300]{Applied computing~Personal computers and PC applications}
     86 \ccsdesc[300]{General and reference~Computing standards, RFCs and guidelines}
     87 \ccsdesc[500]{Hardware~Impact on the environment}
     88 \ccsdesc[300]{Software and its engineering~Software design engineering}
     89 
     90 
     91 \keywords{permacomputing, aesthetics, computational culture, art, design, cultural production, constraints, environmentalism, electronic waste, re-use}
     92 
     93 \input{body}
     94 
     95 %\section{Introduction}
     96 %blorp diddy blorp diddy blorp \cite{pye_1968}
     97 
     98 %%% Testing for length
     99 %\newcount\zz
    100 %\loop
    101 %\section{Borf}
    102 %Permacomputing is a nascent concept and a community of practice oriented around issues of resilience and regenerativity in digital technology. At the heart of permacomputing are design principles that embrace limits and constraints as a positive thing, as well as being creative with available computational resources. maximisation, hyperconsumerism, and waste. In terms of implications for design, this means that next to a more formal understanding of aesthetics­—how things look—there is also an urgency for permacomputing to critically engage with how things work, how they are created, how they are situated, the conditions of their creation and their component materials.
    103 %\advance\zz1
    104 %\ifnum\zz<55
    105 %\repeat
    106 
    107 %% This is an example of how to do an illustration figure
    108 %% don't forget to add image files to the repo
    109 %\begin{figure}[h]
    110 %  \centering
    111 %  \includegraphics[width=\linewidth]{sample-franklin}
    112 %  \caption{1907 Franklin Model D roadster. Photograph by Harris \&
    113 %    Ewing, Inc. [Public domain], via Wikimedia
    114 %    Commons. (\url{https://goo.gl/VLCRBB}).}
    115 %  \Description{A woman and a girl in white dresses sit in an open car.}
    116 %\end{figure}
    117 
    118 
    119 
    120 \bibliographystyle{ACM-Reference-Format}
    121 \bibliography{pmc_aesthetics}
    122 
    123 \end{document}
    124 \endinput